Lars versus Lovetown
Summary Description There's nothing wrong with
using MP3s to legitimately promote music, argues Simon Vandore.
Author
Publication
Roullas Top10 Simon Vandore
Newswire
No
Editorial InformationArticle Location
Article Topic Vandore
Story Order
Story Group 000716
Post Date 14/07/2000 08:43 AM Status Posted Entered by Roulla
Yiacoumi on 13/07/2000 02:01 PM
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Content
Introduction
It was a joke that started in a student household.
Body
Lars was a goofy Swedish exchange student who . . . well, he just
wasn't sexy. My friend David decided to fix that. On desks, walls
and toilet doors around campus, the words began to appear. Inked,
scratched, chalked, it didn't matter: LARS = SEX GOD. THERE CAN
BE ONLY ONE.
At first it was only done by people who were in on the joke. But
somehow it caught the imagination of others. Soon, David would
walk into a lecture theatre and discover the words carved 5mm
deep into his desk. By the end of that year, almost every room in
the university had at least five desks that said LARS = SEX GOD.
THERE CAN BE ONLY ONE.
Everybody had seen the words. Someone scrawled it on page three
of the student newspaper and readers began to report sightings in
their home towns around Australia. David even started a LARS =
SEX GOD Web site.
The real Lars had long since returned to Sweden and I'm sure
those responsible for the newest graffiti didn't even know who he
was. Maybe they thought it was about Lars Ulrich, front man of
Metallica?
Of course we all know about that Lars and his conflict with the
Napster MP3 sharing universe. As I'm not usually an MP3 user -- I
have the sort of hi-fi hardware that reveals MP3 sound fidelity
for the soulless experience that it is -- I am probably not the
best person to comment on Metallica versus Napster. I read
Courtney Love's epic speech on the subject, but admired the
wordplay more than her conclusions (what were they, exactly?).
Back to my friend David, originator of LARS = SEX GOD. He and I
are both fans of Stephen Cummings, a legendary Australian
musician and songwriter who used to front The Sports, a band
famous a couple of decades ago for songs like 'Who listens to the
radio?'. Unfortunately most Australians now know him only from
the MBF health insurance jingle 'I Feel Better Now', penned and
sung by Cummings. Meanwhile, he continues to release critically
acclaimed albums and tour the live music circuit.
David's next project after the LARS = SEX GOD page was a Stephen
Cummings fan site. He gathered all possible information about the
man and his music, putting lyrics online and running a news page
about upcoming gigs. He contacted Stephen personally to get the
inside word on an upcoming album. What's more, Stephen Cummings
gave the site his personal approval. He persuaded his record
company to make David's voluntary work (renamed Lovetown, after a
classic Cummings album) the official Stephen Cummings site, which
it remains to this day.
Prior to the release of Cummings' latest album, David persuaded
the record company to release two songs early in MP3 format,
downloadable from the site. In an environment where fan sites
often receive legal threats and MP3 has become a dirty word, the
official Stephen Cummings site is a shining Australian example of
embracing the Internet community and the technology.
Sure, Stephen Cummings is still not a household name and his
album was released to critical acclaim, but it didn't sell in
Lars Ulrich quantities. Cummings let his fans do something for
him (David and his co-Webmaster even have a credit on the new
album cover and were commissioned to create multimedia content
for the CD), and he used MP3s to raise awareness of his music
rather than running from the technology.
Surely this beats bringing in the lawyers?
Vandore is published every Friday on Newswire. You can
contact Simon Vandore at svandore@acptech.net.
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Bulletin SummaryVandore: Lars versus Lovetown
There's nothing wrong with using MP3s to legitimately promote
music, argues Simon Vandore.
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Vandore: Lars versus Lovetown
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